Amplifier basics ....

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AmplifiersThe purpose of a car audio amplifier is to take a low level signal from the source unit and change it into a high level signal for driving the loudspeakers. Amplifiers range in power from about twenty watts per channel to over one thousand watts per channel. The price range can be anywhere from fifty dollars to several thousand dollars depending on features, power output and quality. An amplifier may have as little as one channel of output to as many as eight channels at the time of this writing. The most common amplifiers are two and four channel models although mono subwoofer amplifiers are gaining in popularity.Amplifier Power RatingsExtra features may also be built into a power amplifier. These features include built-in active crossovers, equalizers, signal processing and speaker level inputs. When shopping for an amplifier consider that all power ratings are not created equal. Some of the low-quality brands will exaggerate or even outright lie about the power output of their amplifiers. This is a good reason to stick with the well known manufacturers. The only true measure of an amplifier's power is its continuous power rating or R.M.S. rating. R.M.S. is an acronym for root mean square and refers to the amplifiers average power output. Note : Ideally, for normal levels of listening and speakers an output of 50W RMS per channel would be sufficient for components and co-axial speakers. More power would be ideal as it provides the amp with more headroom and ensures consistent performance even thru the most dynamic musical passages. For subwoofer and bass tube use, an output of 200W is sufficient with twice or more of that output for subs with high excursion and XMAX. Car Amplifier QualityAlso keep in mind the quality of the amplifier. A generally good indication of quality build and the power output is the size and the weight of the amplifier itself. Better quality amplifiers will usually have a heavier and larger heatsink versus a low quality amplifier of the same power rating. Do not accept size as a definite indication though. I bought an amplifier at a yard sale for two dollars that was two feet long, eight inches wide and two inches tall that had a five inch square circuit board inside of it. This amplifier was so poorly built that I could actually hear the music I was playing coming from the circuit board itself. However there are many top quality amplifiers that do not follow this rule. For example, Blaupunkt makes a line of amplifiers that have a plastic shell. Because of the high efficiency design of those amplifiers a heavy heatsink is not required. Also a good indication of an amplifier's true output is the size of the fuse used. True two hundred watt amplifiers do not use a ten amp fuse. Use your head when buying and keep in mind the brand's reputation for quality. If you find yourself on a budget or lack space for many components then the economical thing to do is buy a multi-channel amplifier with the built in features and processors that you desire. This can save a lot of room and several hundred dollars in added component and installation cost. The quality will be a little less as compared to outboard processors but will probably not be noticed. Also, by minimizing the number of components the chance of noise entering into the system is lessened.Some features and aspects of amplifiers to consider are: Bridgeable: This feature allows a pair of amplifier power channels to be combined into one channel of greater power. This is usually used for driving a subwoofer although it will work with any other type of speaker as wellChannels: The more channels an amplifier has the greater the installation flexibility it will have. Especially in terms of options, future add-ons and upgrades. Class: This refers to the way the amplifier operates. The three types that are most likely to be encountered are A, A/B, and D. Class A amplifiers are the least efficient in terms of power consumption, staying on continually, but also have better sound in general than A/B amplifiers. They are very rare in car audio. Class A/B amplifiers are more efficient than the class A design and are the most common type. Almost all amplifiers in the car audio market are of the A/B design. Class D amplifiers are usually reserved for high power subwoofer amplifiers and can reach efficiencies in the 80%+ range. This design can therefore be smaller, uses less current and produces less heat than the other classes.Connectors: This is the method of attachment used for wires that are connected to the amplifier, including speaker and power wires. The most common kind is the screw terminal strip. This is a series of screw connectors that can be removed and replaced without compromising the amplifier. The other main type of attachment is the "Molex" type connector. This method involves a wire harness that plugs into the amplifier after the power and speaker connections have been made with a crimp or solder connection. If the amplifier is installed in more than one system these wires can get pretty short over time and become more difficult and even dangerous to work with. A variation on the two is a harness that the power and speaker wires screw into. Then the harness plugs into the amplifier. This is probably the most convenient of all connections.Crossover/Filter: A built in crossover can be useful, especially if it is many frequencies of adjustment. A filter is a crossover that only affects one channel, not actually splitting frequencies but simply reducing a range of them.Distortion: This is often given as T.H.D. or total harmonic distortion. It is the measure of how much an amplifier will change a signal from the input signal it is given. Figures below 0.1% are negligible and will not be heard. Usually the figure can be in the 3% range without being heard but virtually all high quality amplifiers will have a T.H.D. below 0.1%.Efficiency: This is the ratio of of power input (from the battery) to power output (to the speakers). A 100 watt amplifier with an efficiency of 50% would take in 200 watts of power from the battery and output 100 watts of power to the speakers. The other 100 watts of power would be wasted as heat. The higher the efficiency of an amplifier the better.Power Output: The rated power output of an amplifier should be given into a four ohm load, all channels driven from twenty to twenty thousand hertz (20Hz-20kHz). Keep in mind that while the low end amplifiers are exaggerated in their power output, many high end amplifiers are under-rated in their power output. These are sometimes called "cheater amps" because they allow a car audio competitor to compete in a lower power class while in reality having a larger amplifier. This under-rating can be three times less than the actual power output.Power Supply: The two most common types are the IC chip and the MOSFET supply. The IC chip is what is used in most source units (head units) and are only capable of producing about twenty watts per channel. MOSFET is the more common design and has a smoother sound than the chip design.Pre-amp Inputs: This is a set of jacks (usually RCA jacks) that will accept a low level pre-amp signal from a source or processing unit.Pre-amp Outputs: This is a set of jacks (usually RCA jacks) that pass on a low level pre-amp signal to another amplifier or processing unit. These will sometimes be filtered outputs. Separate Gain Controls: This allows the gain of each channel of the amplifier to be set independently of the other(s).Speaker Level Inputs: For source units that do not have pre-amp level RCA outputs this feature may be used to take the signal from the speaker leads of the source unit. The signal will not be as clean as a pre-amp level output but will be adequate for most factory upgrade applications. Stability: The measure of how low of an impedance load an amplifier can handle (in ohms). Any good quality amplifier will be two ohm stable while a rare few will go as low as a quarter of an ohm. Ideally an amplifier should double its power each time the load is halved. For example, a one hundred watt amplifier (into a four ohm load) should produce two hundred watts into a two ohm load and so on. This is most useful when running multiple speakers off of a single amplifier or in sound off competitions that are classed by total power output.Tri-Mode Output: This feature is available under different names but is the ability of an amplifier to run a stereo pair of speakers and a mono subwoofer (or center channel) from only two channels of the amplifier. Personally, I would not recommend doing this. Instead buy a good quality four channel amplifier and bridge two of the channels for the subwoofer.Tube Amplifiers: These are the least common amplifiers and are also the most expensive. Rather than the traditional solid state components they use old fashioned vacuum tubes. They are said to produce a warmer sound and a smoother midrange than solid state designs. For most systems the standard design will be more desirable.Credits : caraudiohelp.com
 
A lovely Butler Audio TDB 2150 THERMIONIC Vacuum Tube Driven Mobile Power Amplifier.

General features:

• ZERO negative feedback. No global negative
degenerative feedback loop
• Open Ended Audiophile Circuitry
• Musical, warm and dynamic, rivalling "all-tube" single-ended home audiophile amplifiers
• Hand selected/matched 6SL7GT Twin Triode tubes
(One per channel)
• Fully regulated Tube Heaters with Delayed Soft Start
(10-15 second turn-on delay)
• Load Adaptive Vacuum Tube Driven output circuitry
• Massive (400% oversize) internal/external Heat Exchanger with Temperature-controlled Fan Cooling

• Tightly regulated MosFET Power Supply
• DC fault / Short Circuit Protection Circuitry
• Dual Color Diagnostic LED: Green=Normal / Red=Fault
• Gold Plated RCA, Power and Speaker Connectors
• Frosted Platinum finish
• Tube Illumination: Internal BLUE LEDs
• Patented Design
• Concept & Design: BK Butler / USA

Specifications:

• Rated Power (all channels driven):
2 x 150 Watts RMS per channel @ 4 ohms
1 x 500 Watts RMS Bridged (Mono) @ 4 ohms

• 2-Ohm Stereo, 4-Ohm Mono Stable
• Freq response: 5Hz to 100kHz (+/- 1dB)
• THD: 110dB (A-Weighted)
• Idling Current: 2.4 Amps
• Input Sensitivity: .450v - 12v RMS
• Fuses: 2x25A ATC
• Dimensions: 10.25"W x 17.3"L x 2.4"T
• Weight: 12 Lbs.

Drool away ..... :)
 
A typical Class AB 2 channel amplifier - the Phoenix Gold Ti. Titanium 600.2

Features

Thermal Convection Cooled Heatsink (TCCH)
Overbuilt High-Current Triple Darlington Output Stage
Timed Acoustically Integrated Muting (TAIM)
Tri-Linear Capability Allows Simultaneous Stereo and Bridged Operation
Output Current Sensing Optimizes Power Supply and Output Stage
Intuitive Crossover Selection Switch Assures Easy Setup
24 dB / Octave High-Pass and Low-Pass Crossover Continuously Variable from 40 Hz to 800 Hz
Auxiliary Outputs Route High-Pass, Low-Pass, or Full Range Signals
Twin-T Bass Boost Circuit Provides Up to 18 dB of Boost at 45 Hz
Superbrite Tri-LED Power-On Indicator
Independent Thermal and Overload Protection LED Indicators
Rugged Titanium Finish
24kt Gold-Plated Power and Speaker Terminals
24kt Gold-Plated, 2-Ounce Copper, Double-Sided G10 Glass-Epoxy Circuit Boards
Replaceable Insulated Mounting Feet
Audiophile Grade Capacitors and 1% Tolerance Metal Film Resistors Throughout the Audio Path
Optional LPL44 Low Pass Level Controller Allows for Driver's Seat Adjustment of Bass Volume
Optional RMD Remote Monitor Display Allows Monitoring of the Amplifier's Battery Voltage, Power-On, and Thermal / Overload Status

Specifications
Amplifier Type: 2-channel
RMS Power @ 4 Ohms: 150W x 2 @ 14.4V
THD at 4-Ohm RMS Power: 0.01%
Bridged RMS Power @ 4 Ohms: 600W x 1 @ 14.4V
Speaker Level Inputs: No
Preamp Outputs: Yes
Built-In Crossovers: HP/LP
Bass Boost: 0 - 18 dB
Frequency Response: 20-20,000 Hz
Signal to Noise Ratio: >110 dB
Fuse Rating: 80 amps

Shipping Weight: 10 lbs

My favourite American Woman !!! :wink:
 
A Class D monster mono amp .... to take on the meanest and baddest subs head on .... the JL Audio 1000/1

Specifications:

Rated Power:
1000 W RMS @ 1.5 ohm-4 ohm (11V-14.5V)
THD at Rated Power: 95dB below rated power
Frequency Response: 5 Hz-500 Hz (+0, -1dB)
Damping Factor: >500 @ 4 ohm/50 Hz
Input Range: switchable from 200mV-2V RMS to 800mV-8V RMS
Dimensions: 19.7"L x 9.25"W x 2.36"H
(500 mm x 235 mm x 60 mm)

Features:

Differential-Balanced Input Topology: (1 pair of inputs)
On-board Crossover: fully-variable (40-200 Hz), selectable-slope LP (12 or 24 dB per octave)
Preamp Output: 2-channel (independent active filter, parallel with amp filter or full-range)
Bass EQ: parametric with variable boost up to 15dB and Remote Bass Control (optional)
Infrasonic Filter: fully-variable 24dB/octave from 15-60 Hz
Output Polarity Reversal: switch permits instant output polarity reversal
Dual mono speaker output connections: accept up to 8ga. wire
+12V and Ground connections: accept 4ga. wire (required)

How much power do you need ??? :p
 
A sign of things to come .... soon. The advent of the Class T technologies is here. Here's more ...

SANTA CLARA, Calif.--Sept. 30, 2002--

Tripath's Class-T TA2041 1-bit Delta Sigma Digital Audio Amplifier
Revolutionizes Automobile Electronics Industry

Tripath Technology Inc. , creators of Class-T™ 1-bit Digital Audio Amplifiers, today announced the development and shipment of the World's first 4 x 70 watt digital audio amplifier for the automobile electronics industry. Sony will be the first company to adopt Tripath's revolutionary breakthrough technology by introducing its latest MEX-5DI car audio head unit system with an integrated Class-T TA2041 digital audio amplifier.

The Class-T TA2041 (85% efficiency, 0.02% THD+N) enables car audio manufacturers to develop one of the industry's most powerful 1-DIN car audio head unit which would not be possible to achieve with conventional analog amplifiers. A traditional analog amplifier powering a compact, 1-DIN car audio head unit causes an excess amount of high heat due to its poor efficiency and results in compromised performance. Tripath's patented signal processing is combined with a switching mode approach that considerably lowers heat dissipation while generating high fidelity sound -- suited for compact design applications such as car audio head units.

The new Class-T TA2041 incorporates a 1-bit Delta Sigma analog to digital converter with a sampling frequency 66 MHz, 1500 times higher than a CD sampling rate, with proprietary signal processing algorithms to provide un-compromised fidelity and unequaled power efficiency. The TA2041 delivers four channels of 70 watts into 4 ohms from a 19.5 voltage power supply. This performance comes in a single 32-pin SSIP package. The TA2041 signal to noise ratio of 100dB is capable of better than 0.02%THD+N.

Specifications:
TA2041

-- 4 x 70W into 4 ohms at 19.5V
-- Better than 0.02% THD+N over wide range of output powers
-- Signal to noise ration - 100dB
-- Single supply, 8 - 21V
-- Efficiency - 85% at 4 x 70W, 4 ohm load
-- Output short circuit protection
-- Load dump protection
-- Single 32-pin SSIP package
-- Applications - Automotive head units and multimedia speaker
systems

"This exhibits a major leap in automotive audio amplifiers. The previous ceiling for automotive head units was 4 x 50W, however with our TA2041, we have been able to raise this ceiling to 4 x 70W (total of 280 watts), a 40% increase in power while maintaining superior sound quality," said Dr. Adya Tripathi, Chairman, President and CEO of Tripath. "The car audio head unit market is estimated at over 60 million units a year worldwide. Our Class-T TA2041 has extensive applications in multiple other consumer electronic markets as well. We believe that our best of breed technology will continue to have a powerful impact in the automotive and consumer electronic markets and are pleased to see Sony adopt our latest digital amplifier."

The TA2041 is the latest addition to Tripath's wide range of power (10W - 2000W) digital audio amplifiers. Tripath's highly efficient patented technology allows for substantial performance, size, weight and economical advantages over traditional amplifier technology. Tripath's broad line of Class-T advanced 1-bit digital amplifiers are rapidly gaining market acceptance and are shipping in high volume within high growth consumer electronics categories, such as powered DVD home theater systems, micro-component systems, set-top boxes, personal computers, LCD TVs and flat panel displays and automotive electronics. These tightly integrated Class-T™ based designs set a new standard for high power, exceptional sound quality and high efficiency. Selected Industry giants who have chosen Class-T as their digital amplifier technology are Apex Digital, Apple, Blaupunkt, Denon, Fujitsu, JVC, Kenwood, Motorola, Panasonic, Samsung Toshiba and Yamaha.

About 1-bit Digital Audio Amplifier

Tripath's 1-bit digital audio amplifiers rely on a fundamentally new approach to amplifier design that uses semiconductor-based amplifiers that provide significant performance, power efficiency, size, weight and cost advantages over traditional amplifier technology. Instead of conventional pulse width modulation, employs multiple signal processing techniques, including adaptive/predicative processing, noise shaping, pre- distortion and delta-sigma modulation.
 
What makes the Class T technology so special ?

Here's a quick look at the most important classes of car audio amplifier, focusing on how each class differs in terms of sound quality.

Class A amplifiers are noted for the accuracy of their output and their signature warm, pleasing sound. However, a pure class A amplifier is very inefficient (only around 20%) and runs very hot. The output transistors of a Class A amp always have current running through them, so the amp is basically always "on." The constant flow of current through the output transistors (even with no audio signal) creates lots of heat, and "wastes" input energy. Because of this, Class A amplifiers are a relatively rare design for a car audio amplifier — most car amplifiers that boast "Class A" circuitry are really Class A/Class AB hybrids.

Class AB amplifiers run cooler, and consequently more efficiently, than Class A amplifiers. Although they also allow current to run through the output transistors when there is no audio signal, the current is at a much lower level than in the Class A design — they're also always "on", but they use a lot less energy while waiting for an audio signal, which allows Class AB amps to achieve 50-60% efficiency. Yet, since they require built-in heat sinks to dissipate heat build-up, class AB amps are housed in relatively large (and weighty) chassis. Class AB is by far the most common design for a car amplifier.

Class D amplifiers boast higher efficiency (some approach 90% efficiency), produce less heat, and draw less current than traditional Class AB designs. They use output transistors as switches to control power distribution — the transistors "turn off" when there is too much voltage across them. Because they produce much less heat, Class D amplifiers can be housed in a much smaller chassis than a Class AB with the same power output. The downside is that the on-off switching of the transistors produces high levels of distortion, particularly in the middle and upper frequencies. Class D amps are usually used to power subwoofers, since low-frequency distortion is hard to detect.

Tripath's Class-T® amplifier design combines the low distortion and excellent sound quality of the Class AB design with the efficiency advantages of the Class D design. Tripath uses switching transistors to achieve very high power efficiency (around 90%), low heat production, and compact chassis-size. Yet, they've managed to solve the high-frequency distortion that plagues Class D amps.

Traditional Class AB amplifiers work by keeping the output within the linear operating range of the output transistor. While in the linear range, the output is equal to the input multiplied by some amount of gain. So if the input doubles so does the output. The two signals are the same shape, just different scale. The disadvantage is that the linear range of transistors is fairly small; in a way, the transistor is never able to fully turn-on. While the transistor is "half-on" it's only delivering half its power to the speaker, the other half is going into heat. Add to that the "bias", or amount of energy the amplifier uses to keep itself running, and you end up delivering less than half the power you use to the speaker.

"Switching amplifiers" [Class D and Class-T®] work on the concept of turning the amplifier fully on or off, so very little energy is wasted. You do need to use a bit of power to make the switch from on to off, but in the end, the amount of heat you generate falls to about 10% of the total energy used.

Let's put some numbers with that. Let's say you have a 4 x 100-watt amplifier. You can deliver a total of 400 watts to the speakers, but if it's an AB amplifier, you're generating about 400W of heat. If you add them together, you're pulling 800W from your power supply (or battery).

If you change to a switching amp, that same 800W from the battery can deliver 720 watts to the speakers. You can have a 4 x 180-watt amplifier without pulling any more power, and you will only generate 80W of heat.

Or, if your design is limited by the amount of heat you can handle (like in an automotive head unit), and you have the same 4 x 100-watt Class AB amp, its heat-sink can dissipate a total of 400 watts of heat. Now with that same heat-sink on a switching amp you could generate 3600 watts: Four x 800 watts of power, with 400 watts of heat! Obviously, you'd really need to beef up the battery in that case.

This efficiency gain is common to most switching amplifiers. Historically, the gain in efficiency has come at the cost of fidelity [Class D amps]. So switching amps were limited to subwoofer applications [because low frequency distortion is virtually inaudible to the human ear]. This is where Class-T® comes in.

Class-T® is the name for our proprietary architecture that improves on general switching amps. We use a combination of "predictive" and "adaptive" processing. On top of that, we use a very high switching frequency. The basic idea is that we look at the incoming signal to determine the best way to encode it, making sure to minimize interference or mistakes. We then use feedback, or "adaptive" processing to analyze the output and keep the system stable. The high switching frequency allows us to correct any issues quickly before they become audible. Because of the robustness of the system, we can maintain our fidelity even with mismatches in the output FETs [Field Effect Transistors], power supply "ripple", and other issues that normally require significant engineering time and manufacturing cost to prevent. The Class-T® technology allows us to reach very high fidelity levels and keep THD+N [Total Harmonic Distortion plus Noise] figures better than many A/B amplifiers, while still delivering the efficiency of a switching amplifier.

Credits : Tripath and Crutchfield.
 
oi... like this no one is going to go into ICE.

Why don't we go to Brothers and CosPlus and include amps such as Hollywood, Brothers, Alfine. Okay la.. me guilty, just giving suggestions only. Will post up later on my setup, the journey and what I am looking for for my ICE.

Your ICE could be different than my ICE. ;)
 
Not quite, la ICE Meister ...

Although I am using some high end stuff here in terms of providing visual clues ... it's basically to provide the folks here with some ideas of what is available as long the pockerts are deep enough. Fret not cos you and I know that we can still get the job done with just about any other decent equipment of the same kind from lesser known brands. Plus ... the Butler TBD looks way better than any Hollywood Audio amps you've seen, rite ??? Hahahaha !!!

But seriously, once you look past the price and rarity of some of the stuffs here ... remember that ICE is all about getting the basics and fundamentals RIGHT the first time around. Each of the sub section here from sound to amp basics will provide you with the basic overview PLUS what you need to look out for when you are parting with you hard earned cash for stuff and services.

So, whether you are doing a basic speaker upgrade or setting up a RM 5K or RM15K system, the basic essence behind these things are still the same. A wise soul once told me that ICE is only 50% about the equipment while the other 50% of the equation is all about design, set-up, install and tuning. I trust that these tips/pointers/information will guide you as it has me in your quest for Sonic Nirvana!

Cheers,
 
This thread has been edited and will be used as an 'Introduction to ICE' reference for everyone. The information is usefull and its worth the reading. Enjoy.

Thank You

-The Moderator
 
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